Category 'Behind the scenes'

[box style="info"]   SIGN UP to my brand new newsletter featuring latest news and images and exclusive access to flash sales! Enter your email in the box at the top to stay in touch. [/box]   To get between work and home I regularly drive a busy highway and as those who drive highways know, the traffic can often stop for reasons unknown. During one of these particular ‘jams I was daydreaming about what could be the cause of the trouble ahead and I started imagining an oversized girl lying on the road. This is going to sound really weird, but when I was young I used to have recurring nightmares where I would forget the size of things; so big things would become small and small, big, and I’d get upset because I couldn’t remember the ‘right’ size of things. Because of this I think about wrongly sized things probably more than is normal. If any shrinks care to weigh in on what this might mean I’d be interested to hear just how crazy I am. I was quite taken with the idea of this gigantic girl so to create the image I literally took to the streets, photographing all kinds of roads, but being an annoying perfectionist I couldn’t find any that matched the vision in my head. So eventually I coaxed Mum into driving me up and down (and up and down) the highway while I took photos of the road. I love the random and weird experiences I have when creating images. [gallery columns="2" size="medium" ids="2912,2913"]   I shot the self-portrait twice because the angle wasn’t right. The second time was on a windy day and the backdrop kept falling over and smacking me in the stomach (so maybe not all the weird experiences are fun). I think the official term for this is “suffering for your art”. Especially since I never ended up using those second shoot images anyway. [gallery columns="2" size="medium" link="file" ids="2914,2916,2917,2915"]   The roadside trees were also photographed on my highway drive but as we were moving they are slightly blurred and were really hard to cut out, so I ended up layering many trees from different photos behind them to disguise the masking issues and give the image depth. [gallery columns="2" size="medium" ids="2919,2918"]   The mountains are created from different European scenes, while the sky and stars are overlays I purchased from Jessica Drossin. [gallery columns="2" size="medium" ids="2923,2920,2922,2921"]   Now, to that all important meaning behind the photo … I am obsessed with the stars and have been known to wish on a star or two (hundred) in my time. Some years ago I even started writing a novel about a man whose wishes on stars started coming true (which was also titled ‘The Luminaries’). But I eventually learned that the only person in charge of your destiny is you. If you want something to happen only you can take the steps to make it so. Perhaps the stars can align for you but you’ve got to already be pursuing your dreams to be able to seize the opportunity. So for this image I wanted it to be ambiguous – is she the kind of person who catches stars or the kind of person who creates them? (I‘ll leave the mystery of her largeness up to you.) Luminary definition And a quote I love featured in a photo posted recently by Damien Echols. [embed]https://www.facebook.com/damienwechols/photos/a.245185425537382.66621.215418411847417/1023696481019602/?type=3&theater[/embed]  

As part of my current gallery exhibition I had to create didactics, which are wall panels that describe your art. Being primarily left-brained I focused on the technical because 'how' an image is created is the most interesting part of the process for me and is the entire driving force behind my 'Exposing Illusions' brand. So it was a shock when the gallery curator flat out said I was doing it wrong. (Apparently art has some right and wrongs - who knew?) She said that when I write about my art I need to talk about the 'why', because that's what people relate to. The thing is, I don't know why my art comes about and so often my final images resemble nothing of my initial concept. It's ironic because in high school my favourite subject was art history and theory so I know how to analyse and write about other people's art, but have absolutely no clue how to write about my own. When you go into a large municipal gallery the didactics are almost always written by someone other than the artist and are an interpretation of what the art might mean based on an analysis of what was happening in the artist's life at the time. Can't someone do that for me? Anyway, Metamorphosis came about because our obligatory pastime for celebrating Australia Day is to spend 8 hours at the beach (Scarborough Point to be exact) and I'm incapable of spending 8 hours anywhere without doing SOMETHING with my camera. Whenever I go out for the day I chuck a bunch of props and costumes into my car and usually choose whatever items contrast best with my surroundings. Being a murky grey/blue day I reached for something pink and I vaguely wanted to create a weird, faceless deity rising from the water. Why? Your guess is as good as mine. [gallery size="medium" link="file" ids="2865,2862,2864"]   After photographing myself in the water I threw about the pink dressing gown in case I wanted to use the fabric in the image.   [gallery size="medium" columns="2" link="file" ids="2860,2859"]   In the editing process I blurred the water to give it a fantasy feel and after some experimentation decided to create wings out of the fabric. This notion of flight inspired me to add some birds. I then spent a lot of time perfecting the blurry water and the reflections of the fabric, none of which you can actually see in the final image. [gallery size="medium" link="file" columns="2" ids="2870,2871,2858,2866" orderby="rand"]   As for the pink flames, I honestly couldn't tell you what I was thinking about when I added them. I just sampled various colours from the image and painted them in at different opacities using a cloud shaped brush. [caption id="attachment_2861" align="aligncenter" width="297"]Painted fire Painted fire[/caption]   But what does it all mean?! Here's what I think ... to me the water suggests a baptism and the flames and wings suggest a phoenix so it's about some kind of new beginning or metamorphosis. When I created this image it was almost exactly a year since I started my art photography business and a year was the deadline I gave myself to either make something of it or give it up and pursue a different career path entirely. Some goals I failed but others I hit out of the ballpark and they were the ones that made me think I might be able to make a future out of my art. So it was created at a time when I was transitioning from  'can I?' to 'I can!' and the change of mindset that goes along with that. As for the mask, and the faceless aspect of the image ... 18 months ago I wholeheartedly believed there was nothing creative about me. Today I am an artist with a solo exhibition in a space in the largest gallery in my region. This has made me a very firm believer in how, with hard work, ANYONE can reinvent themselves and so I want this piece to act as an inspiration for those who dream of being something different or better. It's all possible. Unfortunately that's way too wordy to fit on a didactic. Now I'm interested to know, which part of this blog did you enjoy the most? The 'how' or the 'why'? ;)  

As the result of an article I wrote for Digital Photography School I am so pleased to say a big fat welcome to all the new people taking an interest in my blog. So, WELCOME. Here are a few things you might be interested to know:

  1. I am currently running a competition on my social sites to give away prints to TWO LUCKY WINNERS which I am happy to send anywhere in the world. To participate you can either like my Facebook page and share my post about the competition, letting me know which print you’d like to win, OR follow me on Twitter and RT my tweet about it, also listing which print you’d like, OR follow me on Instagram, tag a friend and, again, let me know which print you’d like! You can choose your favourite print here and here. The catch is that I won’t give away ANY prints until I receive 100 shares. We're getting close but are not quite there yet so please share away! The competition will close on Friday 18 March. The post you need to share looks like this:
Hayley Roberts Print Giveaway
  1. My first gallery exhibition started this month so if you happen to be near the Caboolture region (Brisbane, Queensland) please come and check it out at the Hub Gallery! I have been creating art for a little over a year now and this whole journey feels like a dream to me. I am immensely proud and still quite bewildered by the attention my work receives and it only hit me for the first time today that having my own gallery for a month is actually a PRETTY BIG DEAL. I have put so much time and effort into both my work and this exhibition and I want to share it with as many people as possible. Of course if you can't make it but are interested in purchasing a print they are available through my Etsy shop.
Hayley Roberts exhibition
  1. You may have noticed that my blog has been a little neglected of late. I want you to know that I love creating my blog and I had the idea of writing a creative photography tutorial blog LONG BEFORE I even started creating art. I still have a list of 120 different techniques that I want to cover so it has not gone away forever. However it’s been a busy year for me – putting together an exhibition, planning not one, but two overseas trips (Japan in three weeks – WOO!) and working very hard on growing the business and travel side of my photography, not to mention the fact that I have a day job! I also wanted and needed to spend some time working on all the images I have photographed but have never had the opportunity to work on because they just don’t fit into any of my blog posts. But I promise that for each photo I release I will still show you how I made it and share with you the tips I learned in the process. Sometime soon(ish) I will even put together a fancy newsletter to keep you posted. In the meantime you can work through my previous tutorials.
  1. I am an open book when it comes to photography so if you have any questions, need advice, want to show me your photographs, or just say hi, please feel free. I’d love to hear from you (but I apologise if you don't receive a reply between the 21 March and 12 April when I will be photographing cherry blossoms and bunnies). :)

My next tutorial was going to be about making glass transparent so after some thought I came up with a concept that involved a girl in a vase gasping for air. I shot the base photo and the vase in my living room and set about compositing them together. [gallery size="medium" link="file" ids="2819,2821,2834"]   But somewhere along the line I decided I didn’t really like the pose so I swapped it for another pose I’d photographed. [gallery columns="2" link="file" size="medium" ids="2822,2820"]   Then I couldn’t think of a suitable background that helped further her story so I experimented with various stock images but nothing was working and I started feeling disheartened. Experimental background for 'Wonder Falls' But I kept at it, deciding that I really liked the flow of her skirt and actually, she looks much better out of the vase than in. Flowy skirt for 'Wonder Falls' I began experimenting with stock images of water to make it look like her skirt was merging into the ocean (I usually work with stock images first because they live on my laptop whereas my own photos are kept on an external hard drive that I’m too lazy to plug in most of the time). When I found this stock image of a waterfall I knew right away that I’d found the direction this image would take.   [gallery columns="2" link="file" size="medium" ids="2826,2825"]   But I always feel guilty using stock because it’s not an image I’ve photographed myself, however I only have a few images of waterfalls and none at the right density to become her skirt. So to compensate, I kept the waterfall part of the stock and then created rocky cliffs using my own images. In fact this is the first time that I’ve entirely built a scene out of composited bits of other scenes and it wasn’t nearly as hard as I thought it’d be. Unfortunately my creative process usually resembles this haphazard approach and is why, when someone asks me what my photos are about, I don’t tend to know because they like to take a journey all of their own with a destination that barely resembles my original concept. The mountain and moss on the left were created from a photo of this crazy girl jumping off a cliff in Yamba and a moss covered tree stump photographed at Binna Burra. [gallery columns="2" size="medium" link="file" ids="2828,2827"]   The mountain and moss on the right were also from photos taken at Binna Burra. [gallery columns="2" link="file" size="medium" ids="2830,2829"]   The foreground scene is from a sunrise beach photo I took in Noosa. There was scum around the edges of the pool so I used various photos of lapping water to make this look more appealing. I also used a photo of the ocean to create the pool at the top of the waterfall. [gallery link="file" size="medium" ids="2831,2833,2832"]   The sky is a sunrise image I photographed at Arthur's Seat in Edinburgh, Scotland after a gruelling uphill hike. Then I added some blurry foliage to the image, also shot at Binna Burra. [gallery columns="2" link="file" size="medium" ids="2836,2835"]   The end result is nothing like I intended but it's probably my favourite image to date and, for the first time, I'm going to make a print of it just for myself. And, in case you were wondering, yes - the name is inspired by one of my favourite TV shows, Wonderfalls.  

It's been six whole weeks since I last released a photo which is probably more of a surprise to me than you. Back in November I photographed all the component pieces I needed for a photo that I hoped would be my biggest and best yet but I'm afraid to say that after weeks of work I became really disheartened with how it was turning out. I hear conceptual photographers say all the time that they had to abandon a project because they weren't happy with it but I've always believed I could make anything work. Until now. So I put it aside and started working on something new. Which didn't work out either. And then two others turned out to be a disappointment and I started to believe I'd lost it, whatever "it" is. It's a horrible feeling knowing something you've worked so hard at may have just been a passing phase. So I took some time out, worked on other things (including a new travel focused Instagram account at @hayleyrtravels) and thought a lot about what direction to take in the new year. But quite simply, creating photos is what I do and I wouldn't know how to get by without it. 'Run Red' was photographed at one of my favourite places, Yamba, NSW, Australia during a road trip I took after Christmas. The location was the beautiful Angourie Beach on a very busy and hot day. If you ever happen to go, there's a strange path by the blue pool that leads to a dense, dark forest and if you keep following it (after most turn back) you will find the place I shot this. I'm sure there were people walking down the path to the beach who spotted a flash of red in the forest below and weren't quite sure what they'd seen. [caption id="attachment_2786" align="aligncenter" width="960"]Angourie Blue Pool Angourie Blue Pool[/caption]   [caption id="attachment_2787" align="aligncenter" width="683"]Angourie forest path Angourie forest path[/caption]   The image is a seven shot pano and a frankenstein of different portraits. [gallery columns="4" link="file" size="medium" ids="2788,2790,2789,2791"]   My German Shepherd, Koda, needed MUCH coaxing to pose as the wolf. [caption id="attachment_2792" align="aligncenter" width="300"]Koda, wolf, woof Koda, wolf, woof[/caption]   It's not my best work but it is a work that worked which is exactly what I needed. And hopefully soon I'll be ready to retackle the pieces that WILL NOT DEFEAT ME!

'Wallflower' came into existence because I found this tutorial by Andrei Oprinca, which is a technique I've always wanted to try (mainly because of the shirt/wallpaper scene in Garden State) and also because I've been debating whether to do a tutorial on displacement masks. In a nutshell, displacement maps can be used to make a texture fit a shape (so if you apply a wood texture and displace it to a rose shape you can make it look like a wooden rose). I decided not to do a tutorial though because I'm not convinced the results are all that great and I don't want to teach a technique I don't 100% believe in (I think blend modes work better anyway). [caption id="attachment_2725" align="aligncenter" width="300"] Garden State[/caption]   To create Wallflower I first shot this pose of myself pressed against a wall and leaning back towards the camera. I then created a mask that only showed my arms, face and hair. Main 'Wallflower' pose   Then I shot this photo of myself wrapped in a plain fabric, making sure there were lots of ripples in the material. I did things slightly differently from the tutorial posted earlier but I basically removed all colour from the fabric and emphasised the contrast so the fabric ripples stood out even more. Fabric for 'Wallflower'   The floor was photographed at a friend's house and the texture I bought from Adobe Stock and made into a repeating pattern big enough to cover the wall so it looked like wallpaper. [gallery columns="2" link="file" size="medium" ids="2720,2719"]   I created a second layer of the wallpaper texture and placed it over the fabric. Then using a displacement map I tried to make the flower texture wrap to the folds of the fabric so the effect looked more realistic. This has worked in some places (towards the bottom) but not others (towards the top). Silly old me forgot to take a before image to show you what the displacement map did, but to be honest it wasn't that different. It has mainly distorted parts of the texture which I'm not really happy with. [gallery columns="2" link="file" size="medium" ids="2721,2722"]   Then I applied a whole bunch of textures over the top to make the wall look solid. The image only started to come to life when I added the window (shot in Venice), bird (shot in Paris) and the fallen rose (from Adobe Stock). Then I painted shadows under the girl, the window, the rose, and the dado rails to make them look like they belong in the scene. [gallery columns="2" link="file" size="medium" ids="2724,2723"]   Full credit goes to my Mum for suggesting I remove a rose from the wallpaper to make it look like a flower has fallen to the floor. She's full of good ideas that one, and is also responsible for the name of the image, Wallflower.    

Every September my city (Brisbane, Australia) turns purple when the Jacaranda trees begin to bloom. The purple flowers are feared by students because it signifies exams are about to start and relished by locals and tourists because they're such a beautiful sight. For me it means packing up my camera and heading out on numerous day trips to capture the trees in all their glory. Of course I had to create a conceptual image featuring the iconic tree and so I've been traipsing all over the city trying to find the best location. Jacarandas can be viewed practically everywhere and if you can manage it I highly recommend flying over the city when it has turned purple, but if you're stuck on the ground my favourite locations are here:

New Farm Park

[gallery link="file" size="large" ids="2631,2632,2633"]  

The lakes and surrounds, The University of Queensland

[gallery size="large" link="file" ids="2634,2636,2637,2638,2639,2640,2635"]

 

Roma Street Parklands - where you can see the rare white Jacaranda, although the trees are still only small

[gallery columns="4" size="large" link="file" ids="2641,2642,2644,2643"]

 

Evan Marginson Park, Goodna - which holds its very own Jacaranda festival

[gallery size="large" link="file" ids="2645,2648,2646,2649,2651,2647"]  

Anzac Park, Jacaranda Avenue, Logan Central (Thanks Jeff for the recommendation!)

[gallery link="file" size="medium" ids="2652,2653,2658,2656,2654"]  

Other recommended locations which I'm yet to explore:

City Botanic Gardens Brisbane River and Wilson's Outlook, Kangaroo Point Jacaranda Park, Yeronga The biggest problem in photographing jacarandas is that for some unknown reason there's always signs or poles or buildings or other photographers in the way. The location I chose for my image this week which I found by accident and I *think* might be Guyatt Park in St. Lucia had a bride and groom being photographed to the left and a guy photographing his girlfriend jumping up at the trees on the right. The base photo is created from a stitched panorama of three different images. [caption id="attachment_2660" align="aligncenter" width="300"]Brisbane, UQ, University of Queensland Original location for Dance with the Jacarandas[/caption]   Thanks to the magic of Photoshop I was able to replace the distracting elements in the original image with a new background of Jacaranda shots taken at other locations. Using the same tactic I also covered the ground with fallen petals. [gallery columns="2" size="medium" link="file" ids="2662,2661"]   I photographed myself in my backyard in a $5 dress I picked up at a theatre costume sale the weekend before. I had to be careful with posing because I was surrounded by dog poo and mushrooms. I added a different arm, a fuller skirt, and more hair, all toned to match the background image. Then I blended some real Jacaranda petals over my dress. [gallery size="medium" link="file" ids="2664,2667,2666"]   To finish off I added some more Jacaranda branches behind the trees on the top left to block out the sky a bit more. I also added some falling petals by using a photo of a single Jacaranda flower to create a Photoshop brush and using that with a motion blur to paint in falling flowers. [gallery size="medium" link="file" ids="2665,2668,2663"]   If you know where I can find other great Jacaranda locations in Brisbane, please let me know!

Seeing as Back to the Future day is now in our past and even I, a committed fan, am quite done hearing about it for the time being, I no longer want to dwell on why I made this tribute image. But I do want to talk about how I made it and what I learnt in the process. The easy solution would have been to Photoshop Michael J Fox out of the original image and replace him with myself but that'd be cheating! Instead I wanted to photograph myself and my Lego DeLorean and then recreate the scene using stock, which ended up being a fantastic exercise because I had to analyse every little piece of the image, figure out what stock I could use to replicate it and then draw on various Photoshop techniques for the effects. I wouldn't normally recommend copying someone else's image and releasing it to the world but this is an exercise I firmly believe every budding Photoshop artist should try to really hone those skillz. Back to the Future poster   I first had to figure out what I could wear to look like Marty. This ended up being a pair of my jeans, one of my dad's shirts, a red tunic with the sleeves and buttons removed in Photoshop (I had nothing else resembling a puffy red vest), a pair of 12 year old white sneakers that were literally crumbling whenever I walked, a denim jacket, a black Fitbit and my every day sunglasses (I didn't have mirrored ones). I used a stepladder to rest my foot on and I had a Speedlite set to full power facing up from about waist height to mimic the bright light from the car. I shot the image back to front and flipped it because I don't like the left side of my face. I also learnt that underlighting turns me into Seinfeld's girlfriend from 'The Strike' (the one who looked okay in certain light and bloody terrible in others) and all of these images will soon get deleted so I never have to see them again. To get the pose and camera angle right I had to keep running between the garage where I shot it and the living room where my computer was to reference the original image and it was hot in all those clothes and uncomfortable in those flaky shoes. Why I didn't just print out the image is a mystery for the ages. I shot the pose both with and without the tunic so I could easily remove the sleeves in Photoshop and still see the jacket below. Original pose   In Photoshop I smoothed the line of the jeans, replaced my watch hand (because I was holding the remote in it), replaced the shoe that got cut off, fixed the tunic and my messy hair, retouched my face and changed my eyes because they weren't open enough which explains why I look like I've had a botched facelift in the final image. Body fixes   I photographed the Lego DeLorean on my kitchen bench, trying to keep it in as much focus as possible, particularly in the area where I knew I would be standing. I had to shoot it down low to get the angle right and my mum shone a torch on the inside of the car where the bright light would be coming from. I then liquified the front of the car in Photoshop to make it look like its melting. Lego DeLorean   To create the scene I bought an image of a road from Adobe Stock because none of my pictures of roads had the right angle. Despite actually buying the image (I promise!) I somehow ended up with the low res preview version in the final image - oops! Road from Adobe Stock   I used my own photo of dark blue clouds for the sky and then overlaid a bunch of other cloud photos to get the billowing smoke effect. The pink and orange sky came from a sunrise photo I took in Edinburgh. [gallery columns="2" size="medium" link="file" ids="2580,2581"]   The light rays came from a band photo I took of the Presets, which was duplicated over and over and moved to match the ray positions. I used this image of a streetlight for the lights and a Graphic Stock image of a flare for the light itself which was added with the 'Lighten' blend mode. The mountain was shot out of a car window in Malaysia which I then blurred heaps so the trees weren't so detailed. [gallery columns="4" link="file" size="medium" ids="2585,2584,2582,2583"]   The fire is made up of about 6 different stock images purchased from Graphic Stock and Adobe Stock that I also blurred a bunch. I added a noise layer over the background and the car to get the really grainy look of the original. Finally I added a yellow outer glow around my body, drew in the shadows and bright light, and then toned the colour and lighting using about 50 different adjustment layers. Fire from Adobe Stock   The funny thing is there's a lot wrong with the original image - why the weird blue spot over the car on the left? why is there a bright white square on the road bottom right? why is Marty brightest on his right side when the light is coming from the rays on the left and the fire below? why are the shadows on his face and arms really red? why did they make the DeLorean look like it was melting? why are the fire tracks a weird angle and shape? Anyway! It was not up to me to wonder why, but how. And hopefully my image is more of an 'homage' than an insult to the world's greatest film franchise. :)   [gallery columns="2" size="large" link="file" ids="2575,2587"]

When I photographed last week's shadow image I also shot a few other concepts; the tree girl being one of them. She sat open on my computer for a week, with her tree arms on a plain background, and I kept staring at her thinking there was nothing I could do to make her interesting. Tree girl base shot   I looked through my Lightroom catalogue at photos of potential locations but nothing felt right so I decided to build a scene from scratch. I started with grass because where else would a tree girl be? Grass   This is the exact same field I used in my shoot two weeks ago, it's just that the flowers are a bit further up. Then I added a blue solid color layer and used the gradient tool to draw in a sky. I added a flower texture (from Graphic Stock) and some clouds to give the 'sky' depth. Simple steps that took no longer than an hour (mostly to find textures) but straight away the image came to life. Flower texture   Her cherry blossom arm was photographed during the Toowoomba Carnival of Flowers at the botanical gardens. Her bare branch arm was photographed at a beach somewhere (I forget which one.) Branches for tree girl   I used curves and solid color layers set to 'soft light' to tone her. Some of my past photos have been overly complicated so I've been experimenting lately with creating simpler images. What do you think of this new direction?  

Since the Exposing Illusions tutorial blog is now a fortnightly affair I've decided to fill the off-weeks with other bits and pieces I've been working on. Recently I'd been thinking about doing a lifestyle shoot to add to my portfolio with the stock agency, Arcangel. While driving around my suburb with my mum looking for locations we found this field that happened to be full of wild flowers and a few days later we returned at sunset loaded with costumes, wigs and props. It was good timing as the field was mowed a few days later. We didn't have a lot of time so I struck a few poses and came home with about 100 images. I challenged myself to spend no more than half an hour per image working on colour and tone, which I mostly did using Lightroom presets so no fancy Photoshop trickery here. Here's some of the results. [gallery columns="1" link="file" size="large" ids="2382,2391,2386,2389,2388,2387,2383,2385,2384,2390"]

8
May

The making of ‘Luminary’

  To get between work and home I regularly drive a busy highway and as those who drive highways know, the traffic can often stop for reasons unknown. During one of these particular ‘jams I was daydreaming about what could be the cause of the trouble ahead and I started imagining an oversized girl lying […]

13
Mar

The making of ‘Metamorphosis’

As part of my current gallery exhibition I had to create didactics, which are wall panels that describe your art. Being primarily left-brained I focused on the technical because ‘how’ an image is created is the most interesting part of the process for me and is the entire driving force behind my ‘Exposing Illusions’ brand. So it […]

2
Mar

A welcome to my new followers and some things you should know.

As the result of an article I wrote for Digital Photography School I am so pleased to say a big fat welcome to all the new people taking an interest in my blog. So, WELCOME. Here are a few things you might be interested to know: I am currently running a competition on my social sites […]

16
Feb

The making of ‘Wonder Falls’

My next tutorial was going to be about making glass transparent so after some thought I came up with a concept that involved a girl in a vase gasping for air. I shot the base photo and the vase in my living room and set about compositing them together.   But somewhere along the line I […]

17
Jan

Run Red, and some musings about failure

It’s been six whole weeks since I last released a photo which is probably more of a surprise to me than you. Back in November I photographed all the component pieces I needed for a photo that I hoped would be my biggest and best yet but I’m afraid to say that after weeks of work I […]

29
Nov

Wallflower

‘Wallflower’ came into existence because I found this tutorial by Andrei Oprinca, which is a technique I’ve always wanted to try (mainly because of the shirt/wallpaper scene in Garden State) and also because I’ve been debating whether to do a tutorial on displacement masks. In a nutshell, displacement maps can be used to make a texture fit a […]

8
Nov

Jacaranda season

Every September my city (Brisbane, Australia) turns purple when the Jacaranda trees begin to bloom. The purple flowers are feared by students because it signifies exams are about to start and relished by locals and tourists because they’re such a beautiful sight. For me it means packing up my camera and heading out on numerous day […]

25
Oct

Back to the Future

Seeing as Back to the Future day is now in our past and even I, a committed fan, am quite done hearing about it for the time being, I no longer want to dwell on why I made this tribute image. But I do want to talk about how I made it and what I […]

27
Sep

Tree Change

When I photographed last week’s shadow image I also shot a few other concepts; the tree girl being one of them. She sat open on my computer for a week, with her tree arms on a plain background, and I kept staring at her thinking there was nothing I could do to make her interesting.   I looked through […]

13
Sep

Lifestyle shoot in a field

Since the Exposing Illusions tutorial blog is now a fortnightly affair I’ve decided to fill the off-weeks with other bits and pieces I’ve been working on. Recently I’d been thinking about doing a lifestyle shoot to add to my portfolio with the stock agency, Arcangel. While driving around my suburb with my mum looking for locations we […]