Category 'Art'

 

I invite you to share your stories, photos and experiences of North Pine Dam and the Samsonvale community in the comments below so we can create a living history of this serene place for future generations.

  For more information please see the related blog post at Visit Moreton Bay Region Or to learn more about this project visit The Land and I project

This project is supported by the Regional Arts Development Fund (RADF) which is a partnership between the Queensland Government and Moreton Bay Regional Council to support local arts and culture in regional Queensland.

A little over four years ago I was standing in the kitchen and noticed how lovely the light was hitting my mother's desk so naturally I had to climb under it and take some self-portraits. It was only the second time I'd ever taken artistic self portraits and I was pleased that there were some really beautiful poses among them. I love the glowing skin, the pop of the pink and my face hidden in darkness. [gallery columns="2" size="large" ids="4395,4397,4396,4394"]   However those photos, along with many, many others have sat on my hard drive all this time, unseen by anyone but me. A couple of times I've tried to make something of them but the ideas never really took off. [gallery size="large" ids="4399,4400,4398"]   I actually really like that third image but I could never quite work out why an angel would be trapped in a jar. If my stories don't make sense I will abandon them. It's frustrating because I've seen plenty of beautiful images from other photographers that have no story or make no sense, but I personally need my images to be believable, despite their strangeness. Recently I thought I'd have one more go at it and by giving the image a more renaissance toning it began to go in a direction I was happy with. My mother loves angels so I've grown up surrounded by them. She even pins an angel brooch to her outfit every single day. Only natural then that one would eventually creep into my work. For me, the story here is about an angel who feels overburdened by modern society. No one is truly good or truly bad and I feel like those lines blur even more as time marches on. If we take the seven deadly sins - pride, greed, lust, envy, gluttony, wrath and sloth - I know that I, personally, commit at least one of these sins daily (mainly gluttony thanks to chocolate) but fundamentally I believe I'm a good person despite this. I'm not religious at all but I'm well acquainted with the bible and if there IS a heaven and hell, how difficult would it be to unravel the complexity of a human mind and proclaim it either good or bad? Particularly when the decision results in an eternity of either reward or torture. So yes, I feel like this angel is trying to hide herself away from the overwhelming burden of her position, hence the name 'A Burden Too Big To Bear'. The ground was photographed at Mt Cook in New Zealand. I chose it because of the golden tone of the grass. Her wings are from a swan in London's Kensington Park. The sky is a mixture of several layers. [gallery size="large" ids="4401,4402,4403"] The end result! fine art, photography, photograph, angel, halo, night, shield, field  

For some time now I've been feeling the call of the wild, a desire to run off into the woods and shack up in a log cabin away from society. As urbanisation consumes the natural world and disillusionment with consumerism and 'stuff' grows I've noticed that more and more people are sharing this desire. I've been reading about people with similar interests, starting with Barbara Newhall Follett's, 'A House Without Windows', a novel about a girl who leaves her family to live in the forest. The book was published in 1927 when Barbara was just 12 years old. At 35 she walked out of her home and was never seen again. Currently I'm reading 'The Nature Fix: Why nature makes us happier, healthier and more creative' highlighting the studies of leading scientists into nature's effects on health, crime and productivity. It's fascinating stuff and I hope to explore it further in a forest based series I plan to work on next year. Lacking the funds and the means to find a forest home of my own I decided to book into O'Reilly's Rainforest Retreat in Lamington National Park. Here I spent four days alone wandering by waterfalls and through ancient forests in an effort to soothe my soul and unload some of life's burdens. Forest bathing, or Shinrin-yoku as it is called in Japan where the term was coined, truly is magical and I long for a time when I have a little forest of my own. I hope the intent of the image is obvious in that, by spending time in nature, it causes us to bloom ourselves. This image was photographed in two spots. The pose was taken from me draped over an Antarctic Beech tree estimated to be thousands of years old.   antarctic beech, tree, lamington national park, o'reilly's, photography, moss, green, forest, rainforest   The location was photographed near one of the waterfalls along the Box Forest Circuit.     A really cool little feature of this image is that if you look closely between the two centre rocks and behind the middle one you'll see streaks of white and blue. This is the Lamington Spiny Crayfish which only lives in this part of the world. [gallery columns="2" size="large" ids="4366,4365"]   I've released the image to coincide with Earth Day, the focus of which for 2018 is reducing plastic pollution and being mindful about your consumption of single-use plastics such as plastic bottles, cling wrap, food containers, cups and straws. We have lost so much of the natural world but as governments start to realise the healing benefits of green spaces we can all do our part to preserve what remains.   forest bathing, shinrin yoku, forest, rainforest, woods, plant, grow, earth day, o'reilly's, lamington national park, waterfall, river, ecotherapy, nature therapy, nature, healing  

When I was 16 I overheard someone in an elevator say ‘why waste the emotion’.  At the time I was riddled with teenage angst and thought this was the most profound thing I’d ever heard. I adopted it as my mantra, my security net against the world, and slowly taught myself to repress the messy and unnecessary emotions that come from not only being human but also an empath. After two decades of practice I’ve become a fairly unemotional person. I am an INTJ anyway, the type of introvert who prefers reason to feelings (hence why I like to categorise myself), and I’ve learnt to avoid situations that require emotional expenditure. I refuse to watch sad or scary movies, I have little to no desire for a relationship let alone children, and I keep my friends at an arm’s length. I do these things unconsciously and I’m certainly not proud of them but I’ve had to make peace with the way I am. Naturally as a black hearted ice queen I’ve built up a fairly impenetrable fortress with bricks made of cynicism and distrust. So you can imagine my surprise when I found someone had snuck through my defences. This series is about a heart that starts to feel again and the tidal surge of emotion that comes after decades of repression. It’s also, in part, about the need for an artist to bleed to create meaningful art. I want the images to portray something beautiful, about broken and hardened hearts that begin to heal and awaken; about that delightful moment when something or someone touches your heart profoundly. These are the messages I will send these images out into the world with. The reality though is much darker. The reason the security of my fortress failed is because it was not equipped for the small percentage of people who operate differently from the rest of us. This is how I became briefly entangled with my first and last narcissist; that particular breed of toxic human who feeds on the emotions of others. When you’re cautious about guarding your feelings there is no worse person you could invite into your life than these masters of manipulation. But empaths and narcissists are drawn to each other because they both have high emotional intelligence, it’s just that one uses this skill to heal while the other uses it to destroy. Thankfully I quickly realised what I was dealing with and was able to escape with only slight emotional bruising. That story might inspire my next series. I read a lovely quote on a blog that said ‘narcissists can be like angels in disguise. They are catalysts of change in people’s lives: they stir up all the old wounds, scars and shadow elements in a person and force growth.’ This sums up perfectly what this work is actually trying to convey. [gallery size="medium" link="file" ids="4312,4314,4313,4315,4318,4317,4319,4316,4320"] [caption id="attachment_4311" align="aligncenter" width="300"]love, heart, digital manipulation, coming to life, fine art, composite, color, dark, photography, photograph, valentine, romantic, steel, guarded, protected, metal When I realised it was all lies[/caption]  

How I created ‘All the times my heart awoke’

Prior to my realisation I had started storyboarding ideas around the concept of someone who is reluctant to give their heart away. I found that many of the ideas revolved around physical representations of a heart coming to life from a state of stasis and so I decided to explore this theme by applying different creative treatments to one heart image to try and tell the same story in as many ways as possible. I thought about photographing a real heart but naturally this came with its own set of icky complications and so I decided to use a stock image from Pixelsquid. Pixelsquid is brilliant because their images are 3D renders which can be rotated 360 degrees. This allowed me to use the same heart image from a range of angles to add variety to the series. [caption id="attachment_4321" align="aligncenter" width="300"] Human heart from Pixelsquid[/caption]   I wanted this series to be a Photoshop project instead of photography one and so I didn’t shoot a single image for this series, using only stock I’ve purchased or photographs I’ve shot before. With much experimentation and the help of YouTube tutorials I applied different effects to give each heart a unique look. At the moment my focus is on creating work that, while still dear to my ‘heart’, is faster to make, cheaper to produce and more affordable to buy. After much soul searching I’ve decided to spend 2018 focusing less on pursuing a fine art career and more on creating collectible art pieces for my Society6 and Redbubble stores and so this series is in that ‘vein’. [gallery size="medium" ids="4324,4325,4323"]   I created the first nine images with the intention of portraying something romantic and uplifting. After much deliberation I then created the tenth image that puts a whole new spin on the series. Since it was partially inspired by real life events the last image was necessary in sticking to the truth. While it’s difficult to talk about the exact circumstances that inspired it, the beauty of art is that it allows you to abstractly express the things you’re uncomfortable saying with words. It’s the best kind of therapy. I loved the challenge of telling a story in this way and recommend the exercise of using one object to tell a story for other creators who are feeling stuck or looking to hone their skills. What does this series stir up for you?

After the success of my 2017 calendar and the many requests to create another for 2018 I am proud to announce my new calendar is ready! My 2018 collectible calendar features double exposures of some of my favourite animals and landscapes. Creating double exposures is one of the most fun things to do in Photoshop allowing you to sandwich images together with different parts showing through. You can learn how to do it here. [gallery size="medium" ids="4258,4259,4257"]   The calendar makes a thoughtful Christmas gift for every animal or art lover and will pretty up your home the whole year through. It looks great printed on 200gsm glossy paper and is personalised for Australia's notable dates and climate but can be changed if you'd like to purchase one for another country (just let me know where you live). At only $20 Australian (a measly $15USD or $11.50GBP) plus $10AUD for local postage or $20 worldwide it's the most affordable way to collect my prints! Purchase through me directly (via my contact page or send me a message on Facebook).     Here's the images featured in the calendar in the order they appear. You can click on each to see them full size. [gallery size="medium" link="file" ids="4267,4266,4265,4270,4264,4268,4269,4263,4271,4262,4261,4272"]   Wishing you strength for the festive season. May it be the merriest yet! x

When I was a child the neighbourhood kids and I would spend our free time riding bikes among the surrounding bushland. Although our street was branded a dead end if you ventured beyond the road signs you’d find yourself in wild terrain full of life where brumbies roamed and snakes slithered across your path. Inspired by the features of the landscape I used to make up stories for the other kids about how the land came to be. I wouldn’t say I was a natural storyteller but something about that place worked its way under my skin. Ever since I’ve wanted to travel around Australia with a dream of creating stories in our iconic landscapes to give the landscape a voice and inspire others to share and build their own stories in these natural settings. Australians have a long history of storytelling whether it be Dreamtime or “spinning a yarn”. It’s a framework we create to feel a sense of connection, both to the land and to other people, to the past and the present. Our Indigenous ancestors felt a deep spiritual connection with country fostered through the sharing of stories yet people of the present day experience a disconnect between themselves and the land; it’s merely something to plunder and urbanise. ‘The Land and I’ project is a photographic series that brings stories inspired by local history and Indigenous culture to life using iconic Australian landscapes as a backdrop with the intention of highlighting places of natural beauty to instil a sense of community pride that ensures these spaces will be protected and treasured. We need to be educated about and reminded of the histories, memories and stories our landscapes contain and keep a record of not just people but also place. I intend the works to become talking points for the community, inspiring others to visit these locations and make or share their own stories, photos and artworks, ultimately encouraging a sense of belonging and promoting reverence for our natural environment. These will be collected in an online cultural repository that attempts to capture the sights, sounds, smell and feel of these natural environments throughout time from a variety of viewpoints for the benefit of future generations. Initially I will flesh out the concept using locations within the Moreton Bay Region, experimenting with lighting, framing and set design, working with amateur models and costumes created myself to establish the look and feel for the series. In the long term I plan to expand this project all over Australia, working with locally sourced talent in partnership with sponsors, government funds, and tourism boards to raise awareness.

[caption id="attachment_3358" align="alignright" width="300"] 'There Was' by Charles Blackman[/caption] If I haven’t mentioned it before my favourite artist is Charles Blackman and, in particular, his Schoolgirls and Angels series. He manages to imbue his simple paintings with this lonely darkness that I just adore. And it’s a theme that all my favourite art pieces seem to have in common. Lonely darkness. Anyway, recently I learned how to make a photo of day look like night. It’s really simple. Basically you drop your exposure and blacks and add an overall blue tone, but for some reason I’d never been able to figure out how to do it, and not for lack of trying. Sometimes the simplest Photoshop tricks completely elude me. But now I finally have the tool I need to create my own lonely darkness.   [gallery columns="2" size="medium" ids="3361,3360"]   ‘The Stars are Falling’ was initially inspired by an episode of 'Angel' I watched long ago that featured a storyline where the sky rained with fire. It got me thinking about the moment of peace the world would experience when everyone looked to the sky wondering what was going on, before everything erupted into chaos. With all that has gone on in 2016, political upheaval, the deaths of so many icons, as well as personal struggles such as losing my job, alienating friends, and reaching a plateau with my art, it’s impossible to ignore that everything is changing. All of which has manifested in this image, ‘The Stars are Falling’. I started the year with an image that symbolises rebirth, ‘Metamorphosis’ and I feel as if this new image metaphorically completes that “circle of life”. [caption id="attachment_2869" align="aligncenter" width="300"]bird, conceptual, art, phoenix, baptism, reinvention, photograph, fire, flames Metamorphosis[/caption]   The rooftop in the image is from the bakery of my favourite restaurant, ‘Harvest’, in Newrybar and was photographed during a road trip I took exactly a year ago. The ‘meteor’ is a stock photo sourced from Unsplash and is attributed to NASA. The girl is, of course, a self-portrait, photographed, as usual, in my backyard. [gallery columns="2" size="medium" ids="3354,3357,3356,3355"]   Happy New Year and here's to 2017 and whatever it shall bring. :)

For me every new year is a chance for reinvention so with 2017 on the horizon I have been going through a period of deep self -reflection. 2015 was the year I became an artist and I built a portfolio of 40 pieces that I’m very proud of. 2016 was the year I spent most of my time on marketing that body of work and as a result I only created 12 pieces. It has been a year of highs and lows; a year where I started to make money and gain recognition for my work but also, somehow, had no time to create art. [gallery size="medium" link="none" ids="2841,2869,2933"]   I’ve learnt so much about the art world—mainly that art is consumed differently from its hey-day in the 80s and yet it’s still trying to operate on an antiquated gallery-focused model. I’ve learnt that the art world, particularly in Australia, is divided between traditional and subversive and my work doesn’t fit into either box. My exhibition at the Hub Gallery, Caboolture The Internet has given artists the opportunity for wider reach but it’s also flooded with competition so I’ve spent the majority of my year learning about arts marketing and implementing different strategies with limited success. I’ve seen so many fellow artists become marketers and educators – setting up online courses, mastering email marketing funnels, trying to make their work go viral – all in the hope that they’ll begin to make serious money from their art but in the process they lose the essence of what it is to make art. I don’t want this to happen to me. I signed up to be an artist, not a teacher, not a marketer. So I’ve decided to stop buying into all this arts marketing crap and getting caught in the nets of people trying to capitalise on artists and instead focus on the things that make my heart sing. The one useful thing I’ve learned is to picture exactly what I want my life and my business to look like and then work towards that goal every day. This may surprise you but my ultimate goal is to travel and either get paid to do it or live off a passive income. In fact this line has been in my bio since day 1: “My dream is to travel around Australia creating photographic art in rural and iconic locations.” While I have been taking baby steps towards this goal, mainly through my travel Instagram account (@hayleyrtravels), it’s unlikely anyone looking at my art would even know this about me. That’s why in 2017 I want to launch something new. My four passions are photography, travel, art and writing, in that order, and so I’m trying to create something that combines all four. I don’t know exactly what it will look like and the experimentation process has been really hard because it’s a whole new way of thinking and working, and I’m the kind of person who gets frustrated if I’m not good at something right away. It feels weird to be back at the drawing board but I know if I keep at it something will come together eventually. The things I am working towards are:

  • Travelling more
  • Writing a blog about each place I travel to
  • Creating a photo essay documenting my travels so I can pursue more landscape work
  • Making art pieces created out of photographs I’ve taken in those locations
The road to Mt Cook As I learnt from my 2015 Exposing Illusions project I am a better artist when I have a project. So this new project will involve art pieces inspired by travel. I intend to create much more simply, art that takes hours instead of weeks, because I long for the wilderness and need to stop spending so much time at a computer. I plan to sell prints and products made from my work using an online distributor at a price everyone can afford in the hope that these sales will fund future travel. I will also sell limited edition feature prints created by a professional printer at a higher, more collectible, price point. I will market this work to commercial, travel and stock agencies in the hope they see value in what I do. Naturally this all terrifies me. Deep down I’m convinced that I will only ever be mediocre no matter how hard I try. But I need to try regardless. For now I ask for your patience while I create this project and your assistance to help me fine-tune it. I’d like you to be my test audience and will ask for your honest feedback on various components. I’d love for you to be my champions, helping me get the word out about this project. I know that it will be a long journey to my end goal but I’m excited about all the things I will learn on the way. Come for a ride?

Lately I've spent a lot of time staring at mountains and experiencing that feeling--you know the one--that is a mix of awe and wonder, interconnectedness and insignificance. There is no word for this feeling in the English language, or maybe any language, but it feels a lot like joy, or at least a kind of enchantment. When the clouds clear or the fog rises revealing a rainbow or a snow capped mountain and there you are to experience this rare and beautiful moment as woven by the elements, well, perhaps it would be an injustice to try and contain it in a single word. [caption id="attachment_3210" align="aligncenter" width="500"]Staring at mountains, Hooker Valley, New Zealand Staring at mountains, Hooker Valley, New Zealand[/caption]   I travel to find these moments and I photograph to try and immortalise them, but much like words, there is no medium on earth that can accurately convey the experience. This is what my image 'Enchanted' came to be about but as usual it did not start out that way, and as usual it ended as an image of a character interacting with nature, as the majority of my photos do. A lot of photographers who create the kind of art that I do have a very simple formula which is: a) a basic setting that isn't important to the story b) a moody sky c) a character d) something interesting happening to the character e) an overall colour tone, desaturation and overlaying of a texture My work has been getting too complicated and time consuming of late and arguably has suffered for it (or at least, I have) so I wanted to simplify things by creating an image using this formula. Without any plan I threw on a wig and a dress and posed for the camera, dancing, swishing, jumping and it was fun and freeing but probably not recommended because it's difficult to come up with a concept after the fact. I chose the final pose because it was the most pleasing to the eye, but it was a challenge to work with because she's observing, not interacting and that made it hard to put her in a story. Pose for Enchantment   The mountains were photographed from a train in Scotland and have been on my mind as a potential scene for forever and a day. Because she's observing I had to give her something interesting to observe and I liked how the mountains complemented the colour scheme of her hair and skin. The clouds are from the original mountain scene but combined from a number of different shots. It was at this point seeing the scene become the story that I ditched the formula and yet again indulged my subconscious desire to run off into nature. Mountain in Scotland She is standing on a stormwater drain mainly as a way of making her the correct perspective, but also, don't you find you like to climb things to get a better view of pretty scenes? Drain for Enchantment I added the rainbow because I wanted to create one of those rare and beautiful moments I talked about earlier. An epic mountain is one thing but an epic mountain with a rainbow is exactly the kind of scene that makes you experience that exquisite feeling there is no word for, but feels a lot like joy. Rainbow for Enchantment   FOOTNOTE: Two days after writing this post we had a stormy afternoon and with it came the closest, brightest double rainbow I've ever seen. As the neighbours came outside to view it it was a lovely to see so many people enchanted by the moment. [caption id="attachment_3208" align="aligncenter" width="595"]Detail of image - using the oil paint filter to resemble a painting Detail of image - final touches with the oil paint filter to make the image resemble a painting[/caption]

Last spring I created the image, 'Dance of the Jacarandas' to celebrate the month when my city turns purple, so after a trip to Japan earlier this year it seemed appropriate to make a companion cherry blossom themed piece for release this spring. I'm thinking of turning this into a regular series and am toying with poincianas, wattle or bougainvillea next, so if you know of any good spots ...   [caption id="attachment_3165" align="aligncenter" width="960"]A cherry blossom sighting in Japan (my mother can't be trusted with my camera). A cherry blossom sighting in Japan (my mother can't be trusted with my camera).[/caption]   It's embarrassing to admit, but back in my university / goth years, on the 1st of Spring I would dress up as the spring fairy, buying fresh flowers and weaving them into a wreath, and if I felt brave enough (because clearly playing dress ups was not already brazen enough) I would give out floral gifts to strangers (there is photographic evidence of this but it's such a terrible shame that I can't currently find it). If this series is any indication I guess I still like to play dress ups and celebrate spring. To my surprise cherry blossom trees are actually quite tough to photograph. For one, they are totally inundated with people. They bloom for approximately 11 days once a year so if you blink you'll miss 'em, which of course means everyone wants to experience them in person. We were on a regular commuter bus in Kyoto and as we drove past a cherry blossom tree, EVERYONE took out their phone cameras and started snapping away. Some companies even pay an employee to sit in a park all day during hanami (cherry blossom viewing) reserving the best picnic spot for when they all finish work. The Japanese also have this astounding ability that, while it may seem as if there's no one nearby, as soon as you point your camera at something at least one person will appear and stand in your way for as long as it takes for you to give up and move on. It's uncanny.   [caption id="attachment_3163" align="aligncenter" width="960"]cherry blossom Keage Incline, Kyoto: I got totally lost at Nanzen-ji temple looking for a waterfall and found this instead.[/caption]   Secondly, Japan has become quite polluted. On my previous two visits this wasn't the case so I'm sad to say it is now. I love photographing overcast scenes because colours become deep and saturated, even sunny days bring blue skies and lots of contrast, but pollution? It does no favours for anyone.   [caption id="attachment_3164" align="aligncenter" width="960"]cherry blossom Philosopher's Walk, Kyoto, and the most boring type of sky.[/caption]   Lastly, cherry blossoms come in a stunning array of colours and varieties but the majority of them are this wishy washy pale pink colour that just blends right in with the polluted sky and looks kind of mucky.   [caption id="attachment_3166" align="aligncenter" width="960"]cherry blossom Pale flowers, Philosopher's Walk, Kyoto[/caption]   The two trees used in my final image were both photographed at Shinjuku Gyoen in Tokyo on the first day of our trip, right before cherry blossom season had actually begun. They have thicker flowers and are a rarer rich, pink colour which is quite lovely. If anyone knows what type of sakura these are, I beg you to tell me so I can buy one. The other elements that make up the final photo are included below. [gallery columns="2" size="large" ids="3168,3167"]   [gallery size="large" ids="3171,3172,3170,3169,3173"]   I had the photo all ready to go but my Mum pointed out that the hedges didn't have any fallen flowers on them. It's these kinds of details that really make a composite believable and is why getting a second opinion is so important. (And also why I then had to spend an extra day on the image.) As with 'Dance of the Jacarandas' I created a brush out of a cherry blossom to paint some falling blooms into the scene and then added some more petal shaped brush strokes. Falling cherry blossoms are quite lovely and to experience them is like being caught in a soft, warm snowstorm. I have a video of what it's like featuring my mother being delightful but I can't figure out how to post it with Wordpress so check out my Facebook  instead. [caption id="attachment_3187" align="aligncenter" width="150"]cherry blossom brush Sakura Photoshop brush[/caption]   And then of course, there's me, photographed as usual in my backyard using an op shop parasol and an eBay dress. I really liked this pose but there were some problems with it so I photographed it again a few days later, only to decide that I preferred the original pose afterall.   Cherry blossom self-portrait   You can see more of my travel photography (I'm not up to Japan yet but I'll get there eventually) at my travel Instagram account @hayleyrtravels where I post a photo daily. Sayonara! jacaranda, sakura, cherry blossom, fine art, prints, photography, conceptual, series

8
May

The Stories of Lake Samsonvale – from ‘The Land and I’ project

  I invite you to share your stories, photos and experiences of North Pine Dam and the Samsonvale community in the comments below so we can create a living history of this serene place for future generations.   For more information please see the related blog post at Visit Moreton Bay Region Or to learn […]

7
May

A Burden Too Big To Bear

A little over four years ago I was standing in the kitchen and noticed how lovely the light was hitting my mother’s desk so naturally I had to climb under it and take some self-portraits. It was only the second time I’d ever taken artistic self portraits and I was pleased that there were some […]

22
Apr

Forest bathing

For some time now I’ve been feeling the call of the wild, a desire to run off into the woods and shack up in a log cabin away from society. As urbanisation consumes the natural world and disillusionment with consumerism and ‘stuff’ grows I’ve noticed that more and more people are sharing this desire. I’ve […]

7
Jan

New series: All the times my heart awoke

When I was 16 I overheard someone in an elevator say ‘why waste the emotion’.  At the time I was riddled with teenage angst and thought this was the most profound thing I’d ever heard. I adopted it as my mantra, my security net against the world, and slowly taught myself to repress the messy […]

15
Nov

My 2018 calendar is here!

After the success of my 2017 calendar and the many requests to create another for 2018 I am proud to announce my new calendar is ready! My 2018 collectible calendar features double exposures of some of my favourite animals and landscapes. Creating double exposures is one of the most fun things to do in Photoshop […]

26
Jun

‘The Land and I’ project

When I was a child the neighbourhood kids and I would spend our free time riding bikes among the surrounding bushland. Although our street was branded a dead end if you ventured beyond the road signs you’d find yourself in wild terrain full of life where brumbies roamed and snakes slithered across your path. Inspired […]

31
Dec

The making of ‘The Stars are Falling’

If I haven’t mentioned it before my favourite artist is Charles Blackman and, in particular, his Schoolgirls and Angels series. He manages to imbue his simple paintings with this lonely darkness that I just adore. And it’s a theme that all my favourite art pieces seem to have in common. Lonely darkness. Anyway, recently I […]

4
Dec

Flying dreams

For me every new year is a chance for reinvention so with 2017 on the horizon I have been going through a period of deep self -reflection. 2015 was the year I became an artist and I built a portfolio of 40 pieces that I’m very proud of. 2016 was the year I spent most […]

23
Oct

The making of ‘Enchanted’

Lately I’ve spent a lot of time staring at mountains and experiencing that feeling–you know the one–that is a mix of awe and wonder, interconnectedness and insignificance. There is no word for this feeling in the English language, or maybe any language, but it feels a lot like joy, or at least a kind of enchantment. When […]

11
Sep

Cherry Blossom (sakura) season

Last spring I created the image, ‘Dance of the Jacarandas’ to celebrate the month when my city turns purple, so after a trip to Japan earlier this year it seemed appropriate to make a companion cherry blossom themed piece for release this spring. I’m thinking of turning this into a regular series and am toying with poincianas, wattle or bougainvillea […]